PRESERVATION & MIGRATION SEMINAR 2025
Is this the last train for migration, and are we really sure of the destination?

June 20, 2025
Online
FULL SESSION RECORDING
While last rites are given for legacy carriers and formats, future challenges for digital preservation look all too familiar.
The purpose of the seminar this year was twofold. On one hand, we wanted to discuss the consequences of technology obsolescence with respect to the migration outlook for legacy formats. On the other hand, we aimed at considering the digital preservation challenges, for both digitised and digital born content. For legacy formats it might be a last train not to be missed. For any content within the digital archives, the future may not be as obvious as you might think.
The seminar was structured in three rounds. Each round consisted of a short speech and a debate among panellists led by a moderator.

EXECUTIVE SUMMARY
Archives are at a critical turning point where the window to migrate content from obsolete magnetic formats (audio and video) is rapidly closing, and failure to act now will result in the permanent loss of cultural and historical assets.
The primary threat is technology obsolescence, where the playback machines, spare parts, and human expertise required to access content on older magnetic tapes are vanishing. This process is accelerating. Five machines that were in production five years ago, might have been cannibalised to rebuild only one to be used today (H. Shakespeare).
Migration capacity is overwhelmed
The demand for digitisation services has reached a pace hard to sustain. One major service provider, Memnon, reports that requests for the next 18 months are 3.5 times the total volume they have digitized in the last 21 years. This equates to a 10-year work queue at current maximum capacity, meaning the “last train” for many formats may already be full or running on “dismantled tracks.”
Due to budget constraints, rising operational costs (up 50% in 3-4 years), and resource scarcity, archives can no longer simply prioritise which content to digitise first. They are being forced into a position of selection, meaning they must actively decide which parts of their collections will be left behind and lost forever.
The problem does not end with creating a digital file. The event stressed that digital preservation is an ongoing, complex challenge. Digital files themselves face obsolescence from unsupported file formats, decaying storage media (e.g., LTO tapes), and evolving software environments. The scale of data produced (e.g., 10 TB daily at RTÉ) makes this a formidable long-term commitment.
The way forward
The core recommendation is to begin migration projects without delay. The question is no longer if this is the last chance, but whether an organisation is already acting on it.
A proposed framework to objectively score technology obsolescence for different formats can serve as a vital advocacy and planning tool.
It is essential to implement a formal digital preservation policy based on established standards like the OAIS model and PREMIS metadata. Key activities include meticulous metadata management, ensuring file integrity (checksums), maintaining multiple copies, and planning for future data migrations.
Given the scarcity of resources, collaboration between institutions is vital. This includes sharing knowledge, donating unused equipment, and potentially even sharing content preservation responsibilities.
Archives face a convergence of vanishing media, machines, and expertise. A proactive, strategic, and collaborative approach to both analog migration and long-term digital preservation is the only viable path to safeguarding our audiovisual heritage for future generations.
SPEAKERS

Laurent
Boch
RAI
A migration outlook
for legacy formats
Facing the negative consequences of obsolescence
Laurent Boch, graduated in Electronic Engineering in 1990 at “Politecnico di Torino”, has been working for RAI – Radiotelevisione Italiana since 1992, at the Centre for Research and Technological Innovation (CRITS). He has been involved in several EU funded projects dealing with media preservation, in ISO/IEC standardisation activities, and has been technical coordinator of the RAI DigiMaster project dealing with massive master migration. He is responsible for the area “Administration Research Projects” of RAI/CRITS and he is chair of FIAT/IFTA PMC.

Brecht
Declercq
RSI
The media
obsolescence score
A framework for
prioritising playback
technology risks
Brecht Declercq is Head of Archives at RSI, the public broadcaster of Italian-speaking Switzerland. From 2013 to 2022, he served as Digitisation and Acquisition Manager at meemoo – the Flemish Institute for Archiving, leading the digitization of Flanders’ audiovisual heritage. Between 2004 and 2013, he worked at the Flemish public broadcaster VRT, contributing to various projects on digitization, media asset management, and access to archives collections. Within FIAT/IFTA, the global association of media archives, he chaired the Preservation and Migration Commission (2016–2019), served as Secretary General (2017–2020), and held the position of President (2020–2024). A frequent speaker, conference curator, and guest lecturer, he regularly writes and reviews on audiovisual archiving topics. He also acts as a consultant for public administrators, audiovisual archives, and media organizations worldwide.

Miroslav
Culjat
RTÉ
Beyond migration: The digital transformation of media archives
Emphasizing digital preservation
Miroslav Čuljat is the Manager, Archiving and Preservation for all projects across RTÉ Archives. His leadership in digital archiving and preservation is instrumental to the digital transformation and continuous improvements with business process efficiencies within the department, resulting in a positive impact for all stakeholders, internal and external to RTÉ.
PANELLISTS

Heidi
Shakespeare
Memnon

Jean-Christophe
Kummer
NOA-Archive
Jean-Christophe Kummer is managing director and co-founder of NOA Archive. He successfully brought the company from a technical niche solution provider of audio archive digitization and preservation workflows to a large scale operating archive system specialist delivering CAPEX systems for digitization and management for all kind of AV media. He has successfully set up video and audio archive digitization and management systems at clients such as Swedish National Broadcaster(SRF), Belgium national broadcaster (VRT), Austrian Archive and National Broadcaster (ORF and Mediathek), Fonoteca Mexico, Croatian Radio Television, Slovenian Radio Television, Hungarian National Radio & Sharjah Broadcasting Authority in UAE and many others. The estimated total value of legacy AV material which has been digitised is counting up to more than 4,5 mio hours worldwide.The amounts of seats which are managed with mediARC, the Archive Asset Management (AAM) system of NOA, helping to find assets in your archive is meanwhile up to more than 10.000 seats worldwide.

Esther
Elorza
RTVE
Esther Elorza is the Manager of Archiving and Preservation at RTVE (Radiotelevisión Española) and a member of the FIAT/IFTA Preservation and Migration Commission.

Daniela
Pinheiro
Fundação Getulio Vargas
Daniela Pinheiro is a doctoral student in History, Politics, and Cultural Heritage at FGV and Nova de Lisboa University (2022-present). She holds an MA in the same field from FGV (2019-2021) and a BA in Communication (2008). With extensive television experience at Grupo Globo, she workes as an Archive, Image, and Text Researcher, contributing to various TV programs. Her academic activities include talks on audiovisual archives and technology at IFTA, Universities of Madeira and Aveiro, the M de Potência Festival (2024), plus participation in CineOp 2022 and Café com Arquivo (FGV, 2020).

Marjolein
Steeman
Sound and Vision
Marjolein Steeman is working on various projects in the area of preservation and metadata. She develops and implements preservation plans for new formats and archive services. Marjolein has been working at Sound & Vision for over 10 years. She studied information science at VU University Amsterdam and worked for years as an expert in data analysis and data management. Among other things, she has worked to secure various catalogs that came to Sound & Vision via merger partners or depositors. From 2017, Marjolein is part of the Verkennen Department, where she is responsible for the preservation policy of Sound & Vision. She is also a member of the Editorial Committee of PREMIS, the data standard for preservation metadata. In addition to the certification as a sustainable archive (CTS), the ISO certificate for information security (27001) also falls under her care.
MODERATOR

Charles
Fairall
BFI
Charles Fairall began his career in broadcast television as an engineer and realising there was a growing need for technologists in the cultural heritage sector made the decision to focus on the challenges posed by one of the world’s great collections, the BFI National Archive. Working in roles both operational and in senior management across four decades, Charles has been at the cutting edge of transforming the analogue and digital processes essential to the well being and accessibility of complex materials selected for long-term preservation. Having helped pioneer and lead many major infrastructure and mass digitisation projects, guiding teams of conservation specialists into new working practices, Charles’ role is now focused on legacy engineering, videotape formats and equipment.
Charles is an Incorporated Engineer, Chartered Manager and member of the FIAT-IFTA PMC.
