ARCHIVE ACHIEVEMENT AWARDS
The FIAT/IFTA Archive Achievement Awards have been awarded since 1994 and have become a fixed value. They have delivered an impressive honours list of laureates from all over the world.


Designed to honour
The FIAT/IFTA Archive Achievement Awards honour outstanding archival initiatives and projects that have significantly improved how the archives are preserved, managed and used. Initiatives that bring professional preservation and management of audiovisual archives to a higher level and projects that valorise the use of archives in an outstanding way are eligible to enter.
AWARDS 2025
THE CATEGORIES
This award rewards archive technology projects which have experimented with, developed and implemented new and emerging media management technologies and tools to open up the archives in new and efficient ways.
This award rewards analogue or digital preservation projects that have successfully developed and implemented a (part of the) preservation process that excels in professionality or innovation.
This award rewards projects that illustrate the best use of archive content in audiovisual or audio production. All kinds of audiovisual and audio genres and formats are accepted: documentaries, game shows, entertaining programs, sports programs, educational programs, magazines, series, scripted dramas, feature films, etc.
This award rewards initiatives that reflect on the value of audiovisual archives by increasing their visibility and exploring new ways of exploiting specific user groups and audiences, contributing to access and discoverability, storytelling, ethics, etc.

AWARDS 2025
SHORTLISTED NOMINEES

Building the Dutch Podcast Archive
by Nederlands Instituut voor Beeld & Geluid
Beeld & Geluid, the Netherlands Institute for Sound and Vision, began archiving Dutch podcasts in 2020. Back then, not a single podcast was part of the collection. Now, that number is approaching 80,000.
The project focuses on building a smart, mostly automated system for bringing podcasts—both from commercial creators and public broadcasters—into the archive. It works by pulling audio and metadata from RSS feeds, converting that information into XML, and loading it straight into the DAAN catalog. This setup cuts out a lot of manual work and means creators don’t have to deal with complicated forms or extra uploads.
An important part of the process is legal clarity. Before anything gets archived, the team reaches out to creators. If they agree, they sign a license. That license allows Beeld & Geluid to preserve the podcast and use it within the institution—for example, in the museum or for education. The rights always stay with the maker.
On the technical side, the team uses open-source tools and services like the Listen Notes API to organize and manage podcast collections. In parallel, there’s a partnership with Dutch public broadcaster NPO, which delivers large batches of podcasts, complete with metadata, for bulk ingestion.

RTVE-Graph – The knowledge graph of the Spanish audiovisual archive
by RTVE
RTVE-Graph is an innovative project that transforms 50 years of Spanish audiovisual heritage into an interrogable semantic knowledge graph. This initiative integrates 2 million digital resources, 26 million entities, and 85 million relationships represented in 167 million RDF triples.
The project emerged as a response to the challenge of integrating heterogeneous and distributed systems with millions of hours of accumulated content. Its central objective is to make the valuable audiovisual archive accessible through a single, intuitive system that enables contextual and semantically enriched retrieval.
The implemented technological solution consists of an ontology based on EBUCorePlus (European Broadcasting Union standard) adapted to RTVE’s reality, along with a semantic annotation system that collects data from RTVE systems in real-time. This enables semantic interoperability that allows different systems to “talk to each other.”

Media Asset Management Metadata Assistant (MAMMA): Maximizing the use of existing data to empower Radio-Canada’s media librarians
by Radio-Canada
The Media Asset Management Metadata Assistant (MAMMA) is an innovative tool that automates and standardizes document analysis for audio and video, and streamlines web content acquisition. It’s used daily in 17 production centers across Canada. This unique tool was developed internally for Radio-Canada’s MAM deployment, ensuring maximum workflow integration and efficient document processing, especially given the challenges of content volume and resource constraints.
MAMMA is a web-based system designed for visualizing and editing MAM metadata. The tool displays dynamic templates that are completed according to the tasks to be performed and the type of content. MAMMA aims to maximize the use of existing production data, empowering media librarians. It integrates with four distinct systems to automatically retrieve as much data as possible: the MAM, the lineups system, the employee directory, and the taxonomy management software. MAMMA also enables effective content segmentation by subject. This segmentation ensures better discoverability, faster access, and much more accurate search results for all content on a given topic. A key feature copies various critical information into the correct fields. Furthermore, MAMMA optimizes taxonomy use with curated lists of personalities, organizations, locations, events, and subjects, ensuring information standardization within the MAM. MAMMA is an intuitive, professionally designed interface that provides numerous functions, significantly boosting media librarians’ work efficiency.

RAI Newsreels Digitisation – From 16mm Films to High Quality Master Files
by RAI Radio Televisione Italiana
The project aims to comprehensively digitise RAI news programs produced between 1952 and 1985, currently preserved on 16mm film reels. This archive comprises approximately 350.000 reels (10.000 hours) and holds invaluable historical and editorial significance, documenting the early years of television in Italy when RAI was the sole national broadcaster.
The film reels are at high risk of deterioration due to the vinegar syndrome, making urgent preservation – both physical and digital – essential, utilizing state-of-the-art technology. The resulting digital version utilizes standard, interoperable formats and high-quality specifications, with 12-bit color depth video and resolution exceeding 2K.
Currently in production, the project is expected for completion by early 2026, partially funded by public resources from the Ministry of Culture. Preparation and digitisation are outsourced to external providers, under the strict coordination and supervision of RAI.
RAI ensures technical Quality Control of the digitised material, manages the film reel logistics (inbound and outbound), and creates video clips of individual news items, with synchronized audio and video.
A distinctive feature of the project is the application of artificial intelligence (AI) techniques to generate descriptive metadata, including transcriptions, facial recognition, named entities recognition, summaries.
The digitised content, along with the generated metadata, is uploaded to RAI’s content management system for subsequent reuse. A low-resolution version of the entire collection, including the metadata, will be made available through a digital platform managed by the Digital Library (commissioned by the Ministry), accessible to public bodies and universities for research and educational purposes.

Audiovisual Preservation Two Dot Zero
by National Archives of Singapore (National Library Board)
This project kick-started in 2021 when a large quantity of at-risk magnetic tapes was identified for urgent digitisation to be done inhouse in view of its condition. Challenges included timeline, setup and resources where the team had managed with the help of advanced tools which included automated Quality Control and AI tools to complete the project on time.
Hoping to share the benefits of advanced tools such as AI transcriptions which not only will enhance the metadata but also can be an intelligent way of identifying duplicates of the same digitised content in the collection or storage. Using the Picture Quality Analysis tool to provide an objective assessment of the quaity enable us to preserve the best quality copy, especially when the origin of the digitised copies is unknown.

Digital Restoration of the film Mocny Człowiek (The Strong Man)
by Filmoteka Narodowa – Instytut Audiowizualny
The Filmoteka Narodowa – Instytut Audiowizualny (National Film Archive – Audiovisual Institute) has undertaken a full digital restoration of the Polish silent film Mocny Człowiek (The Strong Man), directed by Henryk Szaro in 1929. This film, widely regarded as the greatest Polish silent film, features an international cast and has become an icon of Polish cinematography from that era.
Unfortunately, no film elements survived in Poland due to wartime destruction, similar to the fate of the majority of Poland’s silent film collection, of which only about 5% has been preserved. Fortunately, through collaboration within FIAF, another archive – CINEMATEK – Cinémathèque royale de Belgique, discovered the only known surviving theatrical distribution print, released by a Belgian producer in a Flemish-French language version around year 2000. Thanks to excellent international cooperation, the Belgian archive digitized the nitrate material for us in 4K resolution.
The copy was severely damaged mechanically, including numerous perforation issues that made scanning difficult. Additionally, it was heavily scratched due to extensive theatrical use—having been screened hundreds of times. This made it one of the most challenging sources for digitization, but as it was the only known surviving material, we had no other choice.
The digital restoration proved to be an immense challenge. Due to extensive visible scratches and other damages resulting from heavy exploitation—such as stains, tears, significant reel-end markings, and image flickering—FINA’s restoration team had to undertake a substantial amount of manual work, which took eight months to complete. One of the most difficult tasks was the removal of a large scratch that extended across almost the entire film.
Additionally, no Polish intertitles or opening credits had been preserved. The original script and dialogue list were also lost. The Polish text had to be retranslated from the Belgian copy. Given these circumstances, FINA decided to recreate the original font based on examples from other films produced by the same studio, Gloria and surviving Polish Filmprogram distributed in cinemas. Handwritten text was also used to reconstruct intertitles of letters shown in the film. As a result, all intertitles were faithfully recreated.
The entire restoration workflow and all interventions were documented in our Collection Management System to keep process transparent with key information displayed on an information board for bigger audience. This restoration serves as an outstanding example of European cooperation in reconstructing national film collections after wartime destruction. It also showcases the full extent of our expertise and dedication.

Watch, listen, and get inspired: The Virtual Audiovisual Archive E-KINAS
by Lithuanian Central State Archives
Imagine this: What if there were one place for all your audiovisual needs? Lithuanian Central State Archives can answer that easily – we proudly present the latest version of our newly launched virtual audiovisual archive, E-Kinas (which means E-Cinema or E-Movie).
Although our archive has felt the need for such a website since 2012, the journey to this point has been long. The most important period of work began in 2022 with the opening of the Movie Archive. In 2024, we expanded to include the Photography Archive, and in 2025, we launched the Audio Archive. This is where we mark the beginning of our main project, as it is only then that E-Kinas became a true virtual audiovisual archive, preserving three main types of documents.
Our primary goal is to promote and make our digitized audiovisual heritage more visible, accessible, and reusable! We aim to engage visitors not just in watching and exploring the content but also in searching for and utilizing it. That’s why we’ve included a range of features and online services that are available to every visitor. Feel free to explore over 200,000 documents at your own pace, without any geo-blocking, at any time.
Today, E-Kinas is an active participant in the ongoing dialogue of Lithuanian culture. We collaborate daily with filmmakers, photographers, researchers, and amateur artists. We are proud to provide material for documentary films, exhibitions, and books. Our audience also includes the general public – seniors, schoolchildren, students, and families – as well as the Lithuanian diaspora living abroad. E-Kinas is evolving into more than just a website; it’s becoming a vibrant live and virtual community.
Thanks to the modernized, user-friendly interface, more and more audiovisual heritage can be re-used for educational, artistic, and other purposes. It’s time for you to visit E-Kinas!

Repositry of Irish Dialects (Taisce Chanúinti na Gaelige)
by RTÉ Archives
Canuint.ie is a unique innovative online repository of Irish Dialects audio recordings and transcripts. The project was developed and collated in a partnership between Dublin City University -Gaois Research Group, RTÉ Archives and, Radio na Gaeltachta, RTÉ’s Irish language broadcast radio service, supported by the Archive Funding Scheme of Coimisiún na Meán, Ireland’s national media regulator.
The aim of the project was to make a collection of exemplary regional Irish language dialects from the RTÉ Archives available to the public in general as well as for the scientific and linguistic research community for the promotion and development of the Irish language.
It includes an initial 200 selected exemplary recordings from twelve counties, incorporating Gaeltacht areas as they are understood today, where Irish is still the spoken language, as well as localities where the language has long since disappeared.
The recordings are plotted on an interactive map which acts as a browsing aid for the user. and have been dialectically transcribed below the audio player, synchronised word for word with the audio track in a way that helps the user to follow the conversation. The transcriptions are also provided in standardised Irish and this version is given as a guide wherever the dialectal transcription deviates from standard spelling.
The focus of the repository includes some of the earliest Irish recordings collated, from collections dating back to the 1930s and 40s up to the 1990s. This was a hugely complex project due to the disparate locations and history of the recordings and conservation issues and linguistic metadata challenges involved, resulting in some 160,000 hours of Irish Language audio materials identifed, collated, conserved, and digitised into a single unified archive and now preserved and accesible as part of RTÉ’s digital archiving programme.
Work on research and development of the project involved a collaboration of experts from the RTE Archives, RTE Technology, Radio na Gaeltachta and Irish Language programme makers and specialists, with partners in DCU providing linguistic and technical expertise from speicalists in the DCU Gaois research group.

100 Years of Radio
by RTVE
RTVE Lab and RNE Archive celebrates the centenary of radio in Spain with 100 Years of Radio, a digital escape room that takes users on a journey from 1924 to 2024. Players can explore 11 independent rooms, each representing a different decade, where the history of radio takes center stage. In each room, audio clips from the Archive guide users as they interact with objects and solve hidden puzzles.
By integrating original RNE audio clips into a digital escape room, the project brings a century of radio history to life in an innovative and educational way. It not only preserves and showcases the value of archival content but also makes it accessible to new generations, demonstrating the power of interactive storytelling in revitalizing historical media.

Just Listen to Women
by INA
In her landmark speech on November 26, 1974, before an overwhelmingly male Assembly, Simone Veil declared: “Just listen to women.” History has remembered this plea, but historiography has not always followed its guidance. Before the feminist voices of the 1970s and the passage of the 1975 law, there were the women who had abortions, those who performed them, and the intermediaries—nameless, faceless figures whose haunting, anxious, painful, liberating, or traumatic experiences had never been documented on this scale.
To honor the significance of the Veil Law, the INA (French National Audiovisual Institute) has created a landmark archival collection: 65 filmed testimonies gathered by a transdisciplinary and non-partisan committee led by historian Bibia Pavard.
Those fragile yet essential testimonies—unprecedented in both scope and nature—form the foundation of a multi-platform and multi-format project ; Directed by Sonia Gonzalez, the documentary Il suffit d’écouter les femmes (Just Listen to Women) offers a chronological and thematic journey from 1955 to 1975, weaving together archival footage, songs, and fiction to bring these hidden stories to life.
Alongside the documentary, a book and podcast, offer a 360° exploration of abortion’s personal, historical, and societal dimensions. Through these different lenses, the project sheds light on the lived experiences of abortion—moving from individual stories to broader historical and social perspectives—adding nuance and depth to contemporary public debates.

God Save Denmark
by DR
52 speeches, 6 decades,1 Queen.
Much has happened since Queen Margrethe II of Denmark for the first time spoke to the nation on the last day of the year. The documentary presents parts of the new year speeches as the commentary track for what has happened in the world and in Denmark for the last 52 years from 1972 to 2023.
We dive into the new year speeches and mix them with voices from the archive to tell the history of Denmark and the world with the queen at the helm. Gud bevare Danmark (God save Denmark) was released on the 30th of December 2024.

In The Veins
by Yorkshire and North East Film Archive
‘In the Veins’ resonates through time, using over a century of archive footage to shine a light onto the face of the mining heritage of Yorkshire and the North East of England.
A story of hardship and hope, division and defiance, perseverance and pride; this is not a history lesson, it’s an emotional journey that digs deep into the heart of a community built on coal. Commissioned by Teesside University and produced by the Yorkshire and North East Film Archive, the film is the result of mining for archive ‘black gold’ in amateur and professional films, promotional footage and regional BBC and ITV television programming and news, totalling over 115 source films, then carefully crafting a respectful production that would represent a proud and often forgotten community.
Released in 2024 to coincide with the 40th anniversary of the end of the 1984/85 UK year-long coal mining strikes, the 24-minute film has been screened at film festivals, in regional libraries, museums and published on YouTube. Importantly, it has been screened in community centres and village halls in former mining communities across the North of England, many of which are still feeling the effects of the end of the mining industry.
Telling the story of the coal industry, but significantly the human experience, through only archive footage and found voices in the vaults of the Yorkshire and North East Film Archive, was a massive undertaking. The 13-strong volunteer ‘community curator’ group who have lived and worked in mining communities, at the coalface, in the community, were central to ensure the film was meaningful and authentic.
“The film shows the importance of coal, how it kept us all warm, how it kept the wheels of industry turning and how communities came together as each pit was sank. It shows the price of coal, the deaths and illnesses caused by mining the black gold. It shows the strength and tenacity of miners and their families who over the years fought for a fair wage, better working conditions, and in 1984 fought the state hoping to keep jobs and community. It tells our story and it tells it well!”
Heather Wood, community curator (active in the ‘Women Against Pit Closures’ movement)
PREVIOUS EDITIONS

The Lifetime Achievement Award
Since 2014 FIAT/IFTA has given a special Lifetime Achievement Award to a person with special merits for FIAT/IFTA and the field of audiovisual archiving.










