Recordings Vol. 2
World Conference 2025
Recordings Vol. 3
Recordings Vol. 2

The FIAT/IFTA World Conference 2025 was held in Rome, Italy, under the theme Everything is possible and nothing is true?
This week, we publish the second volume of recordings, under the theme “The Ethics of Opening Up the Archives”. Here are the selected sessions:
You can access all current and future recordings on our YouTube channel and the FIAT/IFTA World Conference 2025 page.
New videos will be available every Friday until September 18, just a few weeks ahead of the World Conference 2026 in São Paulo, Brazil.
Skeletons out of the closet. What ethical issues arise when we open the archives?
by Anne Kirsten Bakke
NRK
The Archives of the Norwegian Broadcasting Corporation (NRK) is cultural heritage and should be available to the Norwegian public. Open archives are an important democratic principle and tell us about our societal development, who we used to be, and who we are today. We call our archive Norway’s diary.
We have over 240,000 unique programs on our streaming platform NRK TV. But how does all our content hold up for modern viewers?
Archive content needs context. We have experienced that time works both for and against us: what was once acceptable may be perceived differently today. At the same time, things that were very difficult many years ago may be completely unproblematic today.
NRKs rule is as follows: NRK shall have a low threshold for publishing content, a high threshold for removing it – and the content we curate, we curate for a contemporary audience.
In the process of publishing the archive we had many discussions and different solutions. In our presentation we will show a wide range of cases of how NRK considers ethics when making the past accessible.
We’re going to talk about how we handle our skeletons in the closet.
Ethical Considerations in Publishing Yle’s Archive Programs on Yle Areena
by Elina Selkälä and Maija Hupli
YLE
The presentation explores the comprehensive archiving and publication processes of Yle’s program content, with a particular focus on factual programming. It emphasizes three key areas: archiving program content, republishing or reuse, and the ethical and moral considerations surrounding programs published indefinitely on Yle’s online streaming service, Yle Areena.
Initially, the focus will be on the AV archive database designed for Yle’s internal use. The primary questions center on journalistic and cultural perspectives, as well as Finnish law, which guide the long-term preservation of Yle’s programs. We will examine who can access the archive database and under what conditions, while considering the significance of maintaining the authenticity of archived programs and the conditions under which they may be altered.
Next, we will explore the principles behind republishing archive programs. Publication decisions consider legal, ethical, and journalistic guidelines, with particular attention to personal stories and sensitive topics. We will assess whether such publications require additional conceptualization, such as an accompanying editorial article or at least a note in the program’s description. For instance, expressions and behaviors that were accepted in the past are evaluated within the context of today’s society, with historical background information provided when necessary to enhance understanding.
Finally, we will explore the principles related to the modification or removal of published archive programs from Yle Areena. Ethical considerations, including privacy and freedom of speech, play a crucial role in these decisions. Additionally, we will detail the responsibilities of the editor in charge when handling requests to remove videos from the online platform.
Just Listen to Women: A 360 Archives-Driven Exploration on Abortion’s History in France
by Juliette Cahin and Sonia Gonzalez
INA
In her landmark speech on November 26, 1974, before an overwhelmingly male Assembly, Simone Veil, Minister of Health in the French Government, declared: “Just listen to women.” History has remembered this plea, but historiography has not always followed its guidance. Before the feminist voices of the 1970s and the passage of the 1975 law, there were the women who had abortions, those who performed them, and the intermediaries—nameless, faceless figures whose haunting, anxious, painful, liberating, or traumatic experiences had never been documented on this scale.
To honor the significance of the Veil Law, INA (French National Audiovisual Institute) has created a landmark archival collection: 65 filmed testimonies gathered by a transdisciplinary and non-partisan committee led by historian Bibia Pavard.
Those fragile yet essential testimonies—unprecedented in both scope and nature—form the foundation of a multi-platform and multi-format project. Directed by Sonia Gonzalez, the documentary Il suffit d’écouter les femmes (Just Listen to Women) offers a chronological and thematic journey from 1955 to 1975, weaving together archival footage, songs, and fiction to bring these hidden stories to life. Alongside the documentary, a book and podcast, offer a 360° exploration of abortion’s personal, historical, and societal dimensions.
Through these different lenses, the project sheds light on the lived experiences of abortion—moving from individual stories to broader historical and social perspectives—adding nuance and depth to contemporary public debates.
Archive Based Research: Broadcast Archives and their Value in the Age of Disinformation
by Matteo Treleani
Université Côte d’Azur
In recent years, audiovisual media have faced an increase in sources, authors and distribution platforms (Cisco, 2018). However, this increase in productive diversity does not seem to have led to an increase in the diversity of content and representations (ARCOM, 2023). From an aesthetic, semiotic and content representation point of view, the audiovisual environment presents a general redundancy of forms. This redundancy is a social problem, due to the stereotypes disseminated, but also a creative and productive one, due to the lack of variety in the formats. This communication aims to analyse the link between redundancy and diversity and aims to study the role of approximate uses of images as a form of misinformation. It looks at how fake news is the epiphenomenon of a media infrastructure based on a general inaccurate reuse of archival images that can lead to stereotypical representations. We call these instances rough news. Based on a corpus of reuses of audiovisual archives, we observe how generic uses of images are dominant and can produce stereotypical visual forms based on approximation.